Βλέπετε 1–18 από 57 αποτελέσματα

  • AGM Abstract Graffiti Magazine 11 A4 152 pagesAGM Abstract Graffiti Magazine 11 A4 152 pages - publikat

    AGM Abstract Graffiti Magazine 11 A4 152 pages

    45.00

    AGM is back again, and this one’s heavy – literally. Issue 11 isn’t just a mag, it’s a full-on hardcover coffee table book stacked with 152 pages of abstract graffiti from every corner of the globe. Thick, clean, and built to last, it’s the kind of piece you wanna keep out where people can flip through and get lost in the styles.

    Inside you’ll find interviews that really go deep, with writers like Keso repping Gothenburg, Jorgen from France, Evok holding it down in Krasnoyarsk, and Nonfungibility straight outta Berlin. Each conversation hits different, showing how abstract graffiti is moving and mutating depending on the city and the mind behind it.

    And yeah, there’s more: this edition also comes with a two-sided poster straight from the Abstract Session Jam in Brussels 2025 – perfect for throwing up on the wall or keeping tucked safe as part of the collection.

    If you’re into abstract graffiti, this isn’t just another mag. It’s a solid piece of culture.

    This book comes with a double-sided poster from the Abstract Session Jam in Brussels 2025. A4 format, hardcover. 152 pages.

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  • AMERICAN GRAFFITI COLORING BOOK URBAN MEDIA BOOKAMERICAN GRAFFITI COLORING BOOK URBAN MEDIA BOOK - publikat

    AMERICAN GRAFFITI COLORING BOOK URBAN MEDIA BOOK

    15.00

    From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color!

    With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. This coloring book is an excellent way to release your creativity, whether you are new to graffiti or an experienced artist. Explore the medium, be creative, make an impact and immerse yourself in the world of color, style and shapes.

    Measures 20 x 25 cm.

    The American Graffiti Coloring Book offers a relaxing approach to coloring at the same time as it is an informative art collection. Remember: the American Graffiti Coloring Book is the real thing – it’s not copying a graffiti “style”, it’s real graffiti. All illustrations are original artworks made by experienced American graffiti artists. Young and old all over the world love the coloring books published by Dokument Press.

    In the American Graffiti Coloring Book, Dokument Press teams up with the Museum of Graffiti in Miami, Florida, to create a stunning coloring book with the best graffiti art that America has to offer. From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California – they all come together to let us study their styles and color-in their outlines. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and book design is made by none other than Noah from the legendary AOK and TFP crews.

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  • Artvibe Magazine 6 Pages 76 21 × 29,7 × 0,5 cmArtvibe Magazine 6 Pages 76 21 × 29,7 × 0,5 cm - publikat

    Artvibe Magazine 6 Pages 76 21 × 29,7 × 0,5 cm

    13.00

    In the current issue, we have included a lot of highlights, some changes and insights. No interview in this issue. So we have more space for creativity from the streets, walls, rooftops, tenements and walls. A bit about so-called high culture, including Krik Kong in the salons of Zachęta. And also the favourite colourful trains. A few photo reports from jams (Meeting of Styles, SUN Festival Airport Battle). In addition, an account of the emerging graffiti and mural initiative in Częstochowa under the slogan Support Culture Graffiti Jam – Kartkowanie Rąk Nie Brudzi. The past summer period, which stretched into winter, was marked by stationary jams and tensions on the Internet. Let’s do graffiti, not tensions – let’s let the passion unite, not divide.

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  • BARCELONA SHOWDOWN URBAN MEDIA BOOKBARCELONA SHOWDOWN URBAN MEDIA BOOK - publikat

    BARCELONA SHOWDOWN URBAN MEDIA BOOK

    70.00

    Barcelona Showdown records more than 30 years of graffiti in the Barcelona metro. Totally exclusive content in two languages (Spanish and English), detailing the history and lifestyle of the writers from 1984 to 2021.

    Measures: 22 x 30 cm.

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  • BOOK OF ZACK PUBLIKAT PUBLISHING BOOKBOOK OF ZACK PUBLIKAT PUBLISHING BOOK - publikat

    BOOK OF ZACK PUBLIKAT PUBLISHING BOOK

    30.00

    In the 90s, the Frankfurt writer ZACK was very present on the trains in the Rhine-Main area under various pseudonyms. He played a major role in shaping the golden years of train writing in the metropolis – a time when almost every commuter train was covered with graffiti and colorful panels and wholecars were often in traffic for months.

    In Book of ZACK he gives an insight into his career on steel at the time, and also new works on walls since his comeback in 2018 can be seen.

    Many of his images are accompanied by texts to the respective actions and let the reader share in his memories. The book is rounded off with additional guest contributions from some of his companions at the time.

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  • BOULEVARD ON TRESPASSING AND CULTURE #1 URBAN MEDIABOULEVARD ON TRESPASSING AND CULTURE #1 URBAN MEDIA - publikat

    BOULEVARD ON TRESPASSING AND CULTURE #1 URBAN MEDIA

    11.00

    Boulevard – On Trespassing and Culture is an international, English art magazine that covers the past and present discourse of street and urban art.

    The magazine considers itself an addition to other already existing magazines and publications with the purpose of presenting its content across respective country borders to a wider audience.

    Superordinate topics structure each issue and offer an interesting context. The focus themes are the theory (Reprint), photography, portraits of artists (Cases), and current reviews and news (Talk). The team behind the project (Thomas Lauterberg, Dr. phil. Harald Hinz and Robert Kaltenhäuser) are a guarantee for extremely high-quality articles.

    Extract of the content:

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  • COPENHAGEN GRAFFITI II 1986-2020 URBAN MEDIA BOOKCOPENHAGEN GRAFFITI II 1986-2020 URBAN MEDIA BOOK - publikat

    COPENHAGEN GRAFFITI II 1986-2020 URBAN MEDIA BOOK

    54.00
    Copenhagen Graffiti II 1986-2020 is the sequel to Copenhagen Graffiti, published in 2016.

    As in the first part, DISK has rummaged through his extensive private archive and compiled a successful mix of walls, trains, tags and throw-ups. In particular, more recent works of a younger date are honored. Among others, works by Rens, Sabe, Bates, Tomcat, Opel, Cres, Kegr, Cave and Week can be seen.

    Measures: 28 cm X 21 cm

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  • CUSTOM LETTERING OF THE 20S AND 30S URBAN MEDIA BOOKCUSTOM LETTERING OF THE 20S AND 30S URBAN MEDIA BOOK - publikat

    CUSTOM LETTERING OF THE 20S AND 30S URBAN MEDIA BOOK

    49.90

    Custom Lettering of the 20s and 30s is a celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. This unique publication collects over 4,500 examples of custom lettering from the heyday of Art Deco and the experimental modernity of the Futurists – from geometric sans, elegant brush scripts, and heavy industrial serifs to hand-drawn eccentricities and outré display type. A cornerstone of any type-lovers library.

    Measures: 22,5 x 22,5 cm

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  • CYBER BABS ART URBAN MEDIA BOOKCYBER BABS ART URBAN MEDIA BOOK - publikat

    CYBER BABS ART URBAN MEDIA BOOK

    30.00

    In this new work Babs invites us on a trip into his cyber-graffiti universe. So the Cyber Babs Art Book offers a selection of some of his most outstanding works.

    They mark his transition period and illustrate the change from a classic graffiti artist to what Babs likes to call the neo-graffiti trend. Around fifty paintings created in Europe form the focus of the book. The viewer is immersed in a futuristic, mechanical and sometimes organic universe borrowed from the illustrators who shaped and influenced him: Philippe Druillet, Mœbius, Otomo or Giger, to name but a few. Babs adopts their styles to express his own vision in the form of abstract graffiti works. Each of these works, which are all instinctively created, teleports us into a new dimension of abstract compositions, in which each one finds its own interpretation.

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  • FLIGHT MODE #4 URBAN MEDIA BOOKFLIGHT MODE #4 URBAN MEDIA BOOK - publikat

    FLIGHT MODE #4 URBAN MEDIA BOOK

    36.00

    Taking inspiration from their entire archives, the fourth volume extracts the absolute essence of Flight Mode. Again augmented, the concept gravitates around a nucleus we all call home. Bigger edition, more pages, increased quality in both content and feel. Including international works by acclaimed artists such as Edward Nightingale, Ixap, Alone, Sfaer and many more.

    The book is printed in an limited edition of 650 copies.

    Measures: 200 × 240 mm

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  • GRAFFITI AVANTGARDE MOSES & TAPS BOOKGRAFFITI AVANTGARDE MOSES & TAPS BOOK - publikat

    GRAFFITI AVANTGARDE MOSES & TAPS BOOK

    69.99

    Nine years after their legendary book INTERNATIONAL TOPSPRAYER, which is out of print long-since and traded for hundreds of euros by now, MOSES & TAPS release a brick twice as thick: GRAFFITI AVANTGARDE is a heavyweight! With 544 pages, more than 2000 photos in ten chapters as well as a variety of exciting and subtle texts, it gives a deep insight into MOSES & TAPS broad work as graffiti artist since 2011. The book shows how they managed the balancing act between bombing trains and being accepted artists and explains why these two worlds are not mutually exclusive.

    The monograph begins with an interview with MOSES & TAPS by the criminologist Ike, in which she explores the question of what actually constitutes the graffiti avant-garde, who it is, what goals it has and what it drives. The TOPSPRAYER chapter, in which MOSES & TAPS lead us through various stops on trains from Russia to the USA, is followed by the SPLASH chapter, in which you learn on which places you can leave colorful traces with spray cans without using a fatcap and letters.

    Afterwards the scepter is handed over to ALIAS, whose professed 1001 trains in 999 days on 176 pages are rounded off by his stories and the action photos of Edward Nightingale. In SCRATCHITI MOSES shows why he paints glass panes in order to clean them, how he brings them from the train yards to the museum and back again and we learn why he hates Mickey Mouse. In the chapter CORPORATE IDENTITY Robert Kaltenhäuser then deciphers how all chapters can be connected via MOSES & TAPS CI codes, why yellow-blue works better than Banksy and what´s behind it.

    In IMAGE OF GRAFFITI TAPS makes clear, why Graffiti must be illegal and reveals how one can create an image of it on canvases nevertheless. While the chapter SCHÖPFERISCHE ZERSTÖRUNG („creative destruction“) deals with the complexity of MOSES & TAPS’ works, which are expressed in collage pieces, the part KONZEPT-VANDALISMUS is dedicated to their unique conceptual works on trains – and sometimes also the walls inside. To round the book off, MOSES & TAPS explain and illustrate in two separate chapters their very personal approach of developing their styles.

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  • LAKE - MURAL ART OF BERLIN #3 URBAN MEDIA BOOKLAKE – MURAL ART OF BERLIN #3 URBAN MEDIA BOOK - publikat

    LAKE – MURAL ART OF BERLIN #3 URBAN MEDIA BOOK

    17.00

    For those interested, LAKE from Berlin should have been a household name for a long time: The street artist turns gray asphalt to true eye openers with his large murals, in Berlin and as a globetrotter also on the rest of the globe. A large selection of his works offers the LAKE – Mural Art of Berlin #3 Book on 160 pages, which is of course a real must-read for fans of the artist!

    Measures: 24,5 x 17,5 cm

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  • NEONGRAU #7 URBAN MEDIA MAGAZINENEONGRAU #7 URBAN MEDIA MAGAZINE - publikat

    NEONGRAU #7 URBAN MEDIA MAGAZINE

    9.00

    Issue No. 7 is coming your way! The Neongrau #7 Magazine is full of colourful pieces, mainly trains, but you will also find some walls and freights here and there. And we are also leaving German boundaries to take a look at some European and American stuff.

    TRUE, ZAMONE, RACS, LINTS, and PAYIT are only a few of the artists featured in this mag.

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  • ODEM - ON THE RUN URBAN MEDIA BOOK

    ODEM – ON THE RUN URBAN MEDIA BOOK

    28.00

    Equally fascinating and shocking, this book makes the adolescents’ enthusiasm for graffiti understandable and at the same time illuminates the dark side of a scene in which fun and action are just as common as violence and crime, alcohol and drugs.

    – 344 pages

    – 43 stories

    – 45 artists

    Language: German

    Date: 2015

    Dimensions: 20.5 cm x 12.90 cm

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  • OLLIO 2016 - 2017 Hardback Book A5 size 50 pages.OLLIO 2016 – 2017 Hardback Book A5 size 50 pages. - publikat

    OLLIO 2016 – 2017 Hardback Book A5 size 50 pages.

    21.00

    A small black book with pieces by Swedish graffiti writer and artist Ollio. 50 pages with abstract pieces from 2016 and 2017. No texts, only photos. Hardcover book measuring approx. 21,5 cm x 15,4 cm.

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  • Pågatåg Motorvagn X11 Zine A4 48 pagesPågatåg Motorvagn X11 Zine A4 48 pages - publikat

    Pågatåg Motorvagn X11 Zine A4 48 pages

    20.00

    Zine about Pågatåg, or rather about all graffiti. Not really “about” but more pictures of it. Close to 660 square meters of vandalism in total. Blood, sweat, tears, and above all, lacquer-based surface treatment have been applied to this powder-coated motor car between 1995 and 2015, without anyone really asking for it. Art with a value that lies to the left of zero, by young people but above all middle-aged men. A fraction, but still quite a lot, is reproduced in this zine.

    Format: Portrait A4.
    Pages: 48 pages + Cover.
    Language: Swedish
    Release Date: March 2024.

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  • PROTECTING ART IN THE STREET BOOKPROTECTING ART IN THE STREET BOOK - publikat

    PROTECTING ART IN THE STREET BOOK

    15.00

    There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.

    Protecting Art in the Street explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight destruction of their pieces. By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.

    • Release year:2020
    • Pages:72
    • Format:portrait
    • Language:English
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  • PUBLIKAT PUBLISHING RAZOR COLORS ON STEEL BOOKPUBLIKAT PUBLISHING RAZOR COLORS ON STEEL BOOK - publikat

    PUBLIKAT PUBLISHING RAZOR COLORS ON STEEL BOOK

    35.00

    RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.

    In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR – COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:

    “Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”

    The book was already self-published in 2017 and is now coming to graffiti shops for the first time via the third and expanded edition.

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