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Barcelona Showdown records more than 30 years of graffiti in the Barcelona metro. Totally exclusive content in two languages (Spanish and English), detailing the history and lifestyle of the writers from 1984 to 2021.
Measures: 22 x 30 cm.
In this new work Babs invites us on a trip into his cyber-graffiti universe. So the Cyber Babs Art Book offers a selection of some of his most outstanding works.
They mark his transition period and illustrate the change from a classic graffiti artist to what Babs likes to call the neo-graffiti trend. Around fifty paintings created in Europe form the focus of the book. The viewer is immersed in a futuristic, mechanical and sometimes organic universe borrowed from the illustrators who shaped and influenced him: Philippe Druillet, Mœbius, Otomo or Giger, to name but a few. Babs adopts their styles to express his own vision in the form of abstract graffiti works. Each of these works, which are all instinctively created, teleports us into a new dimension of abstract compositions, in which each one finds its own interpretation.
In the 90s, the Frankfurt writer ZACK was very present on the trains in the Rhine-Main area under various pseudonyms. He played a major role in shaping the golden years of train writing in the metropolis – a time when almost every commuter train was covered with graffiti and colorful panels and wholecars were often in traffic for months.
In Book of ZACK he gives an insight into his career on steel at the time, and also new works on walls since his comeback in 2018 can be seen.
Many of his images are accompanied by texts to the respective actions and let the reader share in his memories. The book is rounded off with additional guest contributions from some of his companions at the time.
In the 90s, the Frankfurt writer ZACK was very present on the trains in the Rhine-Main area under various pseudonyms. He played a major role in shaping the golden years of train writing in the metropolis – a time when almost every commuter train was covered with graffiti and colorful panels and wholecars were often in traffic for months.
In Book of ZACK he gives an insight into his career on steel at the time, and also new works on walls since his comeback in 2018 can be seen.
Many of his images are accompanied by texts to the respective actions and let the reader share in his memories. The book is rounded off with additional guest contributions from some of his companions at the time.
For those interested, LAKE from Berlin should have been a household name for a long time: The street artist turns gray asphalt to true eye openers with his large murals, in Berlin and as a globetrotter also on the rest of the globe. A large selection of his works offers the LAKE – Mural Art of Berlin #3 Book on 160 pages, which is of course a real must-read for fans of the artist!
Measures: 24,5 x 17,5 cm
Creativity, provocation and progress – that’s what Stencil Graffiti. Das Handbuch book stands for.
This reader explains the stencil technique behind the trend and illuminates a new generation of street art personalities. Tristan Manco, an expert on street art, examines the worldwide stencil graffiti phenomenon, introduces the most exciting artists and explains in comprehensible steps how this variety of graffiti can be learned.
From political art, design and guerilla marketing to activism and campaigns: Stencil Graffiti gives rebellious, new ideas an expressive voice. As a “how-to” guide and inspiration book at the same time, this book not only offers a wealth of information about the international street art scene, but also practical instructions for your own graffiti stencil technique.
Measures: 17,5 x 23 cm
RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.
In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR – COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:
“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”
The book was already self-published in 2017 and is now coming to graffiti shops for the first time via the third and expanded edition.
As in the first part, DISK has rummaged through his extensive private archive and compiled a successful mix of walls, trains, tags and throw-ups. In particular, more recent works of a younger date are honored. Among others, works by Rens, Sabe, Bates, Tomcat, Opel, Cres, Kegr, Cave and Week can be seen.
Measures: 28 cm X 21 cm
For seven years, photographer and psychotherapist Caroline Jensen has traveled back and forth between Stockholm and New York to photograph graffiti writers. Faces of Graffiti shows intimate portraits of writers that Caroline Jensen has established a deep and personal connection with.
The book portrays New York graffiti pioneers who began writing in the late 1960s, writers who grabbed the baton and established graffiti in Stockholm in the 1980s, and younger writers who have further developed the graphic design of graffiti.
To understand how graffiti affects writers’ lives, Caroline Jensen asked them about their driving forces. Rooted in her work as a psychotherapist, she reflects on self-development and the role graffiti plays in the lives of the writers.
Charmin 65, Nic 707, Riff 170, Rubin, Snake 1, Kaos, Shiro and Taki 183 are some of the artists portrayed in the book, accompanied by images of their graffiti art.
Caroline Jensen is a photographer based in Sweden with the world as her field. She is also a licensed psychotherapist with her own practice for twenty-two years. She combines her two professions with a deep interest in the process of change. Dokument Press has previously published her book Room for Therapy.
From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color!
With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. This coloring book is an excellent way to release your creativity, whether you are new to graffiti or an experienced artist. Explore the medium, be creative, make an impact and immerse yourself in the world of color, style and shapes.
Measures 20 x 25 cm.
The American Graffiti Coloring Book offers a relaxing approach to coloring at the same time as it is an informative art collection. Remember: the American Graffiti Coloring Book is the real thing – it’s not copying a graffiti “style”, it’s real graffiti. All illustrations are original artworks made by experienced American graffiti artists. Young and old all over the world love the coloring books published by Dokument Press.
In the American Graffiti Coloring Book, Dokument Press teams up with the Museum of Graffiti in Miami, Florida, to create a stunning coloring book with the best graffiti art that America has to offer. From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California – they all come together to let us study their styles and color-in their outlines. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and book design is made by none other than Noah from the legendary AOK and TFP crews.
The Sticker Bomb Creatures Journal is a pretty unique and beautiful notepad with 4 sheety of colourful stickers. You can put these stickers on the cover as often as you want and design your own, personalised notebook.
The 128 pages are made from recycled paper and white, so you shouldn’t use pens with too much ink flow.
Nine years after their legendary book INTERNATIONAL TOPSPRAYER, which is out of print long-since and traded for hundreds of euros by now, MOSES & TAPS release a brick twice as thick: GRAFFITI AVANTGARDE is a heavyweight! With 544 pages, more than 2000 photos in ten chapters as well as a variety of exciting and subtle texts, it gives a deep insight into MOSES & TAPS broad work as graffiti artist since 2011. The book shows how they managed the balancing act between bombing trains and being accepted artists and explains why these two worlds are not mutually exclusive.
The monograph begins with an interview with MOSES & TAPS by the criminologist Ike, in which she explores the question of what actually constitutes the graffiti avant-garde, who it is, what goals it has and what it drives. The TOPSPRAYER chapter, in which MOSES & TAPS lead us through various stops on trains from Russia to the USA, is followed by the SPLASH chapter, in which you learn on which places you can leave colorful traces with spray cans without using a fatcap and letters.
Afterwards the scepter is handed over to ALIAS, whose professed 1001 trains in 999 days on 176 pages are rounded off by his stories and the action photos of Edward Nightingale. In SCRATCHITI MOSES shows why he paints glass panes in order to clean them, how he brings them from the train yards to the museum and back again and we learn why he hates Mickey Mouse. In the chapter CORPORATE IDENTITY Robert Kaltenhäuser then deciphers how all chapters can be connected via MOSES & TAPS CI codes, why yellow-blue works better than Banksy and what´s behind it.
In IMAGE OF GRAFFITI TAPS makes clear, why Graffiti must be illegal and reveals how one can create an image of it on canvases nevertheless. While the chapter SCHÖPFERISCHE ZERSTÖRUNG („creative destruction“) deals with the complexity of MOSES & TAPS’ works, which are expressed in collage pieces, the part KONZEPT-VANDALISMUS is dedicated to their unique conceptual works on trains – and sometimes also the walls inside. To round the book off, MOSES & TAPS explain and illustrate in two separate chapters their very personal approach of developing their styles.
Equally fascinating and shocking, this book makes the adolescents’ enthusiasm for graffiti understandable and at the same time illuminates the dark side of a scene in which fun and action are just as common as violence and crime, alcohol and drugs.
– 344 pages
– 43 stories
– 45 artists
Language: German
Date: 2015
Dimensions: 20.5 cm x 12.90 cm
There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.
Protecting Art in the Street explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight destruction of their pieces. By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.
After the overwhelmingly popular Hip Hop Coloring Book, Hip Hop Journal and Hip Hop Coloring Book: East Coast Edition, Mark 563 is back with Hip Hop Coloring Book: West Coast Edition.
It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early electro pioneers like Egyptian Lover, to G-funk and mega stars like Snoop Dogg and Ice Cube and newer rappers like Tyler, the Creator.
The 50 pages are packed with legendary West Coast rappers, spanning from the Golden Era through to today’s rap superstars. A perfect gift for anyone interested in Hip Hop and popular culture.
Hip Hop Coloring Book: West Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. Hip Hop Coloring Book: West Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, sneakers and lowriders.
Dimensions: 20 x 25 cm
You can write, draw and paint your own story as you like it best – just the way you want it!
Explore the geography of genius in the Desperately Seeking Banksy book, a pocket-sized, smaller sibling of Where’s B**ksy that illuminates the interaction between artist and space.
Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017’s Bridge Farm Primary School and The Walled Off Hotel. With a size and price point perfect for gifting or impulse buying, it makes Banksy’s work available to a wider audience than ever before. Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.
Some call it art others vandalism. For the members of the infamous RIS crew the label doesn’t matter. ROCKIN’ IT SUCKERS is the story of New York City’s infamous RIS crew in their heyday. New York in the late 80s: A city tormented by crack and violent crime. At the same time the golden age of hip hop was in full bloom, and despite the violence some found room for creativity. At this time a group of kids got together to taste the last of the city’s painted subway trains, just in time to experience a new era in New York’s graffiti history — The authorities decided to clean up the city and a zero-tolerance policy towards graffiti was instituted. While many of the city’s graffiti writers quit, the RIS crew was determined to keep the trains colorful and decided to wage their own war with the city.
As a result, they took over New York with style, and along the way influenced graffiti writers long way outside the five boroughs. The crack down from the authorities didn’t only trigger the RIS crew to write more, it also made them come up with faster techniques and develop their styles, all done with the crews’ characteristic arrogance and humorous touch. Soon they became one of the world’s most important and influential graffiti crews.
Dimensions: 19 x 25 cm
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