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Banksy Coloring Book – Unofficial
The Banksy Coloring Book by Magnus Frederiksen is a coloring book for all ages. A great little gift for anyone interested in street art and illustration. The pictures to color are inspired by Banksy and offer a taste of his street art. Have fun!
– Coloring & Paperback
– approx. 20.3 cm x 1.3 cm x 25.5 cm
– 40 pages
– English language
– Year of publication 2020
Boulevard – On Trespassing and Culture is an international, English art magazine that covers the past and present discourse of street and urban art.
The magazine considers itself an addition to other already existing magazines and publications with the purpose of presenting its content across respective country borders to a wider audience.
Superordinate topics structure each issue and offer an interesting context. The focus themes are the theory (Reprint), photography, portraits of artists (Cases), and current reviews and news (Talk). The team behind the project (Thomas Lauterberg, Dr. phil. Harald Hinz and Robert Kaltenhäuser) are a guarantee for extremely high-quality articles.
Extract of the content:
Custom Lettering of the 20s and 30s is a celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. This unique publication collects over 4,500 examples of custom lettering from the heyday of Art Deco and the experimental modernity of the Futurists – from geometric sans, elegant brush scripts, and heavy industrial serifs to hand-drawn eccentricities and outré display type. A cornerstone of any type-lovers library.
Measures: 22,5 x 22,5 cm
Taking inspiration from their entire archives, the fourth volume extracts the absolute essence of Flight Mode. Again augmented, the concept gravitates around a nucleus we all call home. Bigger edition, more pages, increased quality in both content and feel. Including international works by acclaimed artists such as Edward Nightingale, Ixap, Alone, Sfaer and many more.
The book is printed in an limited edition of 650 copies.
Measures: 200 × 240 mm
Nine years after their legendary book INTERNATIONAL TOPSPRAYER, which is out of print long-since and traded for hundreds of euros by now, MOSES & TAPS release a brick twice as thick: GRAFFITI AVANTGARDE is a heavyweight! With 544 pages, more than 2000 photos in ten chapters as well as a variety of exciting and subtle texts, it gives a deep insight into MOSES & TAPS broad work as graffiti artist since 2011. The book shows how they managed the balancing act between bombing trains and being accepted artists and explains why these two worlds are not mutually exclusive.
The monograph begins with an interview with MOSES & TAPS by the criminologist Ike, in which she explores the question of what actually constitutes the graffiti avant-garde, who it is, what goals it has and what it drives. The TOPSPRAYER chapter, in which MOSES & TAPS lead us through various stops on trains from Russia to the USA, is followed by the SPLASH chapter, in which you learn on which places you can leave colorful traces with spray cans without using a fatcap and letters.
Afterwards the scepter is handed over to ALIAS, whose professed 1001 trains in 999 days on 176 pages are rounded off by his stories and the action photos of Edward Nightingale. In SCRATCHITI MOSES shows why he paints glass panes in order to clean them, how he brings them from the train yards to the museum and back again and we learn why he hates Mickey Mouse. In the chapter CORPORATE IDENTITY Robert Kaltenhäuser then deciphers how all chapters can be connected via MOSES & TAPS CI codes, why yellow-blue works better than Banksy and what´s behind it.
In IMAGE OF GRAFFITI TAPS makes clear, why Graffiti must be illegal and reveals how one can create an image of it on canvases nevertheless. While the chapter SCHÖPFERISCHE ZERSTÖRUNG („creative destruction“) deals with the complexity of MOSES & TAPS’ works, which are expressed in collage pieces, the part KONZEPT-VANDALISMUS is dedicated to their unique conceptual works on trains – and sometimes also the walls inside. To round the book off, MOSES & TAPS explain and illustrate in two separate chapters their very personal approach of developing their styles.
Equally fascinating and shocking, this book makes the adolescents’ enthusiasm for graffiti understandable and at the same time illuminates the dark side of a scene in which fun and action are just as common as violence and crime, alcohol and drugs.
– 344 pages
– 43 stories
– 45 artists
Language: German
Date: 2015
Dimensions: 20.5 cm x 12.90 cm
There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.
Protecting Art in the Street explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight destruction of their pieces. By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.
RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.
In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR – COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:
“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”
The book was already self-published in 2017 and is now coming to graffiti shops for the first time via the third and expanded edition.
SABE has never stepped out of his love for the graffiti, and even though he is reaching the age of 50, he is showing no sign of resignation. This book with the same title as the previous book released in 2017 you will get more than 250 pages with new unique footage collected from five decades starting in the 1980’s til today’s date.
SABE – Still Around II are as massive as part one, it features more than 400 photos and texts by Skeme, Ghost, Jest, Ket, Nezo, Grape, Giz, Cave, Week, Sek, Sgee, Pesto, Even and a foreword by Jens-Peter Brask.
In our new issue of the Stylefile Blackbook Sessions series, there is once again an update from the most diverse sketchbooks and desks in the scene. From simple studies to detailed full-pagers, whether analogue or digital, everything is included on 160 pages.
For some, sketches are merely a necessity and a means to an end, while for others, they are an independent discipline in the field of graffiti. What all of them have in common, however, is that you have to deal intensively with the process of sketching in order to develop your own style. How wide the range of approaches is can be studied in this book. It provides exciting insights into the approaches of the most diverse types of writers. Insights that would remain hidden from most people even in the age of social media.
Line-up:
ACUT · AEMIR · ALOE · AMIR · AMIT · AMUSE126 · AROME · MR.BAKER · CHECK · CIDE · COPSA · COSMA · CROW · DATOR · DEJOE · DISKO · DOE · DREIST · DREY · EKSIT · ERPEL · FACT · FLASH · FLOR76 · FNACK · FRED · HOKUS · INKA · JEFF · JEROO · JONES · KACAO77 · KAHN · KIEs · LOCO · MAROK · MIND · MONKEY · OSBKUR87 · PAW · PLAQUE · PLAST · RAZOR · REK · RINE · ROLEX · ROLY · RTMONE · RUSTE · SATAN · SEIN12 · SEMOR · SEW · SEWER · SHAW · SLIDER · S.KAPE289 · SOFLY · SOME · SPENDA · SUNCHES · SWET · TOWN · TRES · TRUBA · TRUN · TWIK · VENTS137 · ZAILOR
Measures: 23 x 16 cm
Decades before he blew the lid off the high-stakes art world by shredding a work immediately following its purchase at an auction, Banksy was committing acts of artistic protest on the streets, walls, and bridges of cities throughout the world. We still don’t know who Banksy is, but thanks to this book we have a greater sense of how he works.
This book features approximately eighty works from the start of his street art career to today, most photographed in situ and presented in vibrant illustrations. This book guides readers through Banksy’s artistic processes and explains his influences, such as the Situationism movement and the May 1968 uprising in Paris. It delves into key works such as Love Is in the Air, a stenciled graffiti that subverts the idea of violent protest; Flag, in which the iconic American photograph at Iwo Jima is altered to reflect a group of Harlem children atop a burnt-out car; and the slyly titled Turf War, in which Winston Churchill sports a grassy Mohawk.
The book also pays tribute to Banksy’s rats, a reviled symbol of urban decay that the artist reimagines as rappers, violin players, and painters. As Banksy continues to challenge the political, economic, and racial oppression that takes place every day in cities around the world, this book offers a timely appreciation of just how the artist has embedded himself into the psyche of the powerful as well as the voiceless—without ever revealing his own identity.
Explore the geography of genius in the Desperately Seeking Banksy book, a pocket-sized, smaller sibling of Where’s B**ksy that illuminates the interaction between artist and space.
Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017’s Bridge Farm Primary School and The Walled Off Hotel. With a size and price point perfect for gifting or impulse buying, it makes Banksy’s work available to a wider audience than ever before. Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.
1 Destination 5 Spots: Street Art Israel
Place2Art: Tchernobyl by Jace
Investigation: URBAN ART reconcilies the Ancients and the Moderns
Artists: INTI / RAY CAESAR / STEPHEN POWERS / WASTED RITA / SUPAKITCH / GREMS
1 Destination 5 Spots Street Art: La Havane
Place2Art: Le Mausolée by Lek & Sowat
STREET CONNEXION: What new technologies are doing to Urban Art
Artists: HERAKUT / LOGAN HICKS / MURMURE STREET / ±MAIS MENOS± / HUSH / MR DOODLE…
1 Destination 5 Spots: Street Art Israel
Place2Art: Tchernobyl by Jace
Investigation: URBAN ART reconcilies the Ancients and the Moderns
Artists: INTI / RAY CAESAR / STEPHEN POWERS / WASTED RITA / SUPAKITCH / GREMS
Opinion: IS MONEY GOING TO RUIN STREET ART?
1 Destination 5 Spots: TOKYO Street Art
Place2Art: BERLIN WALL
Investigation: THE POWER OF THE GROUP
Artists: FUTURA 2000 / COPE2 / RERO / JAMES COLOMINA / SPYK / LISA KING
1 Destination 5 Spots: STREET ART NEW DEHLI
Place2Art: TRANSITION ABBEVILLE
Dossier: STREET ART DESTINATIONS
Artists: JACQUES VILLEGLE / GONZALO BORONDO / WILD DRAWING / CLAUDIO ETHOS / DULK / BOUDA
Measures: 22 x 29 cm
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