Μαρούσι 210 614 8506 - 694 898 9250
Βλέπετε 2341–2358 από 2837 αποτελέσματαSorted by latest
This innovative tool can be used with your favourite low-pressure European cans to slow their output and turn them into a slow-flow, super low pressure tool. Perfect for ultimate can control: use the 50/50 for fine lines and adding precise details to art of all sizes, from photorealistic murals to canvas pieces.
The Classic Dot Canvas wallet features
Buy Santa Cruz Wallets at Native Skate Store.
The Classic Dot Wallet from Santa Cruz is a classic trifold wallet. It features a zip pouch, space for cash and cards, clear ID holder and Santa Cruz patch. It is available in Black.
Our model is wearing size L in this picture and has the following measurements:
Nine years after their legendary book INTERNATIONAL TOPSPRAYER, which is out of print long-since and traded for hundreds of euros by now, MOSES & TAPS release a brick twice as thick: GRAFFITI AVANTGARDE is a heavyweight! With 544 pages, more than 2000 photos in ten chapters as well as a variety of exciting and subtle texts, it gives a deep insight into MOSES & TAPS broad work as graffiti artist since 2011. The book shows how they managed the balancing act between bombing trains and being accepted artists and explains why these two worlds are not mutually exclusive.
The monograph begins with an interview with MOSES & TAPS by the criminologist Ike, in which she explores the question of what actually constitutes the graffiti avant-garde, who it is, what goals it has and what it drives. The TOPSPRAYER chapter, in which MOSES & TAPS lead us through various stops on trains from Russia to the USA, is followed by the SPLASH chapter, in which you learn on which places you can leave colorful traces with spray cans without using a fatcap and letters.
Afterwards the scepter is handed over to ALIAS, whose professed 1001 trains in 999 days on 176 pages are rounded off by his stories and the action photos of Edward Nightingale. In SCRATCHITI MOSES shows why he paints glass panes in order to clean them, how he brings them from the train yards to the museum and back again and we learn why he hates Mickey Mouse. In the chapter CORPORATE IDENTITY Robert Kaltenhäuser then deciphers how all chapters can be connected via MOSES & TAPS CI codes, why yellow-blue works better than Banksy and what´s behind it.
In IMAGE OF GRAFFITI TAPS makes clear, why Graffiti must be illegal and reveals how one can create an image of it on canvases nevertheless. While the chapter SCHÖPFERISCHE ZERSTÖRUNG („creative destruction“) deals with the complexity of MOSES & TAPS’ works, which are expressed in collage pieces, the part KONZEPT-VANDALISMUS is dedicated to their unique conceptual works on trains – and sometimes also the walls inside. To round the book off, MOSES & TAPS explain and illustrate in two separate chapters their very personal approach of developing their styles.
Equally fascinating and shocking, this book makes the adolescents’ enthusiasm for graffiti understandable and at the same time illuminates the dark side of a scene in which fun and action are just as common as violence and crime, alcohol and drugs.
– 344 pages
– 43 stories
– 45 artists
Language: German
Date: 2015
Dimensions: 20.5 cm x 12.90 cm
There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye.
Protecting Art in the Street explains, with words and images, how copyright laws apply to street art and graffiti, and how they can be of help to creators within these artistic communities. Knowledge about these issues does matter. There has recently been a spike in legal actions or complaints against corporations and individuals that have tried to exploit commercially street artworks without the artists’ consent; and more importantly without sharing with them any profit. Also, legal actions have been brought by street artists to fight destruction of their pieces. By adopting a simple language, Protecting Art in the Street constitutes an easy-to-understand guide aimed at navigating street artists and graffiti writers through otherwise difficult and intricate legal issues concerning the protection of their artistic outputs.
After the overwhelmingly popular Hip Hop Coloring Book, Hip Hop Journal and Hip Hop Coloring Book: East Coast Edition, Mark 563 is back with Hip Hop Coloring Book: West Coast Edition.
It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early electro pioneers like Egyptian Lover, to G-funk and mega stars like Snoop Dogg and Ice Cube and newer rappers like Tyler, the Creator.
The 50 pages are packed with legendary West Coast rappers, spanning from the Golden Era through to today’s rap superstars. A perfect gift for anyone interested in Hip Hop and popular culture.
Hip Hop Coloring Book: West Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. Hip Hop Coloring Book: West Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, sneakers and lowriders.
Dimensions: 20 x 25 cm
Κανένα προϊόν στο καλάθι σας.
